Just to start, there is a math problem. Five doesn't equal four. The four-pin mike has only one ground wire, used for both audio and for the transmit/receive switch. The five-pin mike has two separate ground wires. One on pin 2 for JUST for mike audio, and pin 4 is just for the T/R switching. Using two separate grounds simplified the design of the radio's circuit board. And made life forever more complicated for the guy with a 4-wire cord on his mike.
This subject has been getting the "Well I tried it and it was okay" treatment since the 5-pin SSB radios first appeared 39 years ago. The world was full of D104 mikes with 4-wire cords. Everybody wanted to use that mike on his Cobra 2000/142/Washington/Madison/Grant radio. The 6-wire mikes became easy to find around that time, and gradually replaced mikes with only 4 wires in the cord.
The three choices are:
Connect ground ONLY to pin 2.
Connect ground ONLY to pin 4.
Tie 2 and 4 together.
The RISK! (mind you I said 'risk', not 'certainty') is that option one gets you a squeal on SSB receive. Option two risks a squeal on transmit, and option three can provide both.
But you might get away with it. Never could figure out how to predict this.
We use the converter board for a different reason. The only way to put a Roger K, bump-bump or five-tone beep in a Cobra 2000 is to add a relay. Those 'beep' boards don't have a relay to shut off the speaker while the board is holding the radio keyed. Can blow out your speaker.
But once the relay is installed, you're only using three pins out of five now. Ground, audio and transmit. Leaving the 5-pin jack in place for three pins seems demented, so we would change the mike socket as well whenever that accessory got installed.
Got really tired of wiring up this business by hand, and put it all onto a pc board.
Sure, it lets you use a 4-pin mike whether it's to accomodate a beep or not. And it eliminates the risk of feedback trouble.
And THAT's the difference between a commercial-quality job and a "what can I get away with" job.
Feel free to try whatever hookup you like. Clearly you MIGHT get away with it. And if not, it WAS your time to waste seeing if the cheap option would work well enough.
But for what I charge, the radio needs to work when it gets home. A trick that "might" work is not good enough. A sure thing is the only option that interests me.
What's good enough for you is for you to decide.
Oh, and I worked out a fix for the loud "POP!" from the speaker when you unkey.
Fair warning, the single-relay setup seen in those other posts had a drawback. A POP! from the speaker when you unkey.
It's just a timing issue. If you slide your thumb off the button on a hand mike, so that it snaps out faster than your thumb would allow, you can simulate this problem. Make that switch travel fast enough and you'll hear the POP that way. But if you unkey in the normal way, there's no problem. Your thumb takes a twentieth of a second or so to make the trip from where transmit shuts off, and the speaker turns back on. The switch in the mike is designed to "break before make", shutting off transmit before the receiver gets connected back to the speaker.
I couldn't find a relay that will break the transmit side and then wait a while before turning the speaker back on. Finally redesigned it to use two relays. One of them unkeys the transmit side immediately. The other relay 'hangs' with a small capacitor for about a twentieth of a second. The second relay activates the speaker only after the POP has died away, and you won't hear it.
Here's one wired in a Cobra 2000:
Seems like an obsessive sort of attitude to take, but that POP got on my nerves.
73