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The human ear can only handle so much midrange information. It is equally true that too much gear out there being used will emphasize this dilemma - even more. Either deliberately done or by default. Furthermore, the amount of audio compression changes the way in which sound is perceived. You are in a 'mix' - so to speak - when in a pileup. One needs 'cut'...

So; if one can 'cut' as much midrange frequencies and still maintain clarity - and then add enough treble and compression - then a happy medium may be attained. This works in a recording studio (been there - done that...) for 'voice presence'; so it should work equally well on any audio device...

[QUOTE="Robb, post: 155355, member: 8446"] The human ear can only handle so much midrange information. It is equally true that too much gear out there being used will emphasize this dilemma - even more. Either deliberately done or by default. Furthermore, the amount of audio compression changes the way in which sound is perceived. You are in a 'mix' - so to speak - when in a pileup. One needs 'cut'... So; if one can 'cut' as much midrange frequencies and still maintain clarity - and then add enough treble and compression - then a happy medium may be attained. This works in a recording studio (been there - done that...) for 'voice presence'; so it should work equally well on any audio device... [/QUOTE]

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