when shooting skip on AM i find that a little bit of personality goes a long way.
I don't use the standard lingo, and only use about 200 watts and i get people jumping over each other to get back to me. (i do admit to using the term 'DX land' quite a bit)
The real truth is that if you sound like you are a boring person, no one is going to want to talk to you, so why bother acknowledging the call.
It's a really sad part of the hobby that so many people like to talk on radios but have absolutely nothing to say.
Like everyone else, when i started talking DX it was all about the log book and collecting call numbers and locations. After a few years of that it starts getting very boring to make meaningless short information exchanges.
I go for the conversation, and have found that others want the same thing, you just have to get past their "mic fright".
so many people make a call on the radio and then get super nervous when someone responds. They want to end the contact as soon as possible. I try to push past that nervousness and ask them a question. Most of the time they respond and we can actually have a conversation.
so here's my advice to those who would like to increase their DX contacts: sound like you are having fun and others will want to join in on that fun.
(Sonar, you don't have to use the lingo, and i'm betting that it's not the change in verbiage that is increasing your comebacks; it's the change in vocal inflection. You most likely sound more interesting because you are 'whooping it up' a bit.)
On AM you do have to repeat yourself simply because of the fading nature of skip signals, but there is no need to speak phrases that aren't part of your everyday speech in order to get your name called.
On SSB you really just have to be on frequency for people to come back to you.
Again, if you sound like a fun person to talk to; you will get a lot of people coming back to you.
and with that, WE GONE BIG DADDY! Keep the shiny side up and stay out of the meat wagon! be me that four one zero and i just shot a clown.
LC